It’s been so long since I last posted something here as I was very busy with graduate school activities and work as usual. I find it refreshing that I got some time now to write something. This past week, I completed a 10-minute piece which I submitted to my composition teacher, Dr. Kristina Benitez, and got some useful feedback from her. This coming trimester, my new task is to expand that piece into a multi-movement suite. Expanding it into a suite is very doable since that piece has a lot of ideas going on. The next question now is whether or not I can get it performed or at least be able to record a good mockup of it. Because of that, I started to explore the Sibelius 7 Sound Library.
These past few days, I was occupied with testing out the Sibelius 7 Sound Library on my MacBook Pro, and so I decided to dig up my musical history. I’m not very fond of listening to the old stuff I’ve written and recorded since it feels very much like reading your high school diary (the thought of which makes me cringe). However, in this case I wanted to hear what it would be like to try out my old compositions on a new sample library.
I use a number of sample libraries in my music production in various formats like NI Kontakt, Apple EXS24, etc. and I also used to have the old Sibelius 5 sound library. I was quite fond of it when it came out (even though it was far from perfect), and so it was very exciting for me to use that new library for the first time. Hearing my old, old works on new sounds gave it new life. It still sounds far from perfect of course but the Sibelius 7 Sounds are usable to create orchestral mockups. The percussion and piano sounds were excellent although the tremolo is still has that slight machine gun effect. The other samples like strings, woodwinds, and brass are okay. As with many sample libraries, I found the guitar samples to be less than satisfying. The classical guitar samples could have been good except that it can be oddly squeaky because of the default fret noise setting. Imagine hearing playing single scale notes with every note being accompanied by a fret squeak, and so it sounds so unnatural. The solution to that would be to dial down the fret noise knob. Steel string guitar sounds are okay. The distorted guitar sound is probably the most awful of the bunch. It’s a good thing that I’m a guitarist as well and so I wouldn’t need to use those guitar samples anyway.
I said a while ago that I’m not fond of listening to my old recordings but I did find something good about that little exercise. I was able to uncover musical ideas that I would call diamonds in the rough. Bits and pieces of melodic and rhythmic themes here and there would make good material to expand for a variety of compositions that I could craft in the near future. I just hope that I get the time and patience to further explore them.
So, going back to my graduate school composition work, I plan to expand that into a suite. I should probably start once the weekday hits, or maybe I should talk to Dr. Benitez first to plan it all out. After scoring it in Sibelius, I will tweak the hell out of the MIDI to make it somewhat realistic and then practice all guitar, iPad, and piano parts before recording. That should enable me to submit a good recording by the end of the term. Afterwards, it will be time to work on my graduate thesis. Seems like I should savor these light-load days as I will be very busy in the next few months .