Bruce Katz’s “The Breakthrough Blues Piano Method”

Breakthrough Blues Piano Method Cover

I have been working with jazz pianist Steve Nixon (http://freejazzlessons.com) for a while now, and I got myself the opportunity to work with his Blues piano mentor: the legendary Bruce Katz! This new piano lesson DVD called the “Breakthrough Blues Piano Method” features my detailed transcriptions of Bruce’s Katz’s techniques as well as examples of his own blues improvisations. So, if you’re interested in getting your blues playing to another level, go visit http://www.freejazzlessons.com/breakthroughblues/ to get yourself a copy of this course.

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Jose at Musika Live at Conspiracy Garden Cafe 10/15/2015

Here’s last night’s clip of Jose and yours truly playing at Conspiracy Garden Cafe in Quezon City for an event by Beehive Productions. Many thanks to Abby Clutario, Eric Tubon, TJ Trinidad, and Andy Saunar of Beehive Productions for inviting us. Many thanks as well to a wonderful audience last night consisting of the bands Clubhouse, Paincake Patrol, Eight Moons of Jupiter, and God Bless the Unicorns plus friends:

Life as a “Single” Guy – Stories Through Musical Improvisation: XVI. “Elevator Jazz” Jam

A good way to spend a break from transcribing music to jam freely to some random backing track found on YouTube. It’s one way to have fun and try to develop/enhance chops.

Life as a “Single” Guy – Stories Through Musical Improvisation: VIII. “Looking Forward to Tomorrow”

There is always hope after emotional turmoil. While I am always unsure of whether or not I will wake up the next day, I always believe there is something beyond the here and now, something to look forward to. The future looks bright indeed. I suppose there probably is no better way to tell that story than through the power of the electric guitar.

New Blues and Metal Guitar Courses on GuitarZoom

It’s been a while since I wrote anything that refers to GuitarZoom, the organization where I mainly work as a music transcriber, social media moderator, music theory and guitar answer guy, and now as a composer of background music. Anyway, GuitarZoom has a lot in store for this year, and this includes a couple of Blues and Metal courses.

For the serious intermediate metalhead guitarist, here’s a good course on Metal by Eric VanLandingham:

http://guitarzoom.com/ultimatemetalguitarconcepts/

(FYI, the music that you hear just before the lesson kicks in (the Djenty BGM you hear during the animation sequences) was written, performed, and recorded by yours truly.)

If you wish to be able to utilize pentatonic scales effectively, especially in a blues setting, you have to check out this upcoming course by Casey Smith’s called “Ultimate Power Pentatonics for Guitar”

(Again, intro animation music by yours truly.)

All of these courses come with my sheet music transcriptions in standard notation and TAB.

For more information regarding these courses as well as upcoming promos, go visit http://guitarzoom.com. For any questions regarding course content, music theory, guitar playing, or anything music in general, you can always email me at mark(at)guitarzoom.com. (FYI, I don’t handle customer service stuff and technical issues, but I’d be more than happy to talk about music with all of you.)

A Big Reason Why I Have a Career as a Music Transcriber

I was browsing through my Facebook page when I found this string of comments from a Steve Stine post:

Screen Shot 2014-07-30 at 6.12.58 PM

One of the guys who commented on the new GuitarZoom “Guitarists of the 80s” course said, “Hey buddy! Are you reading the music to these leads as you play??”

Steve replied, “Tom, just wrote them out in my head and played them…”

Most of the time (myself included), many musicians write out their music inside their heads and just go out to play them. Another thing is that most of these musicians don’t have the time (or patience!) to write them out on paper for themselves. Let’s face it. The fact still stands that music transcription requires time, effort, and heaps of patience. These musical geniuses (like my buddy Steve Stine) give folks like me some kind of employment, and I am very thankful for that. Such musicians provide one big reason why I have a career as a music transcriber.

Perhaps there will come a time that the compositions inside my head will bring me great financial reward to the extent that I’ll just hit “record”, start playing, and then I could never be bothered to write them out on paper for myself. That would be a time that I will probably hire someone just like me to write them all out.

Until then, I’m the one being hired to do that sort of documentation. I really got nothing to complain about.