Jose at Musika “Luma” Album Launch Live @ Mang Rudy’s: The Entire Set on Video

For those of you who missed the album launch last March 5, 2016, there is still yet a chance to watch and listen to our set. We managed to acquire some videos of the entire set we performed that night (eight songs out of nine from the album).

“Jose at Musika” is Jose delos Reyes on vocals and acoustic guitar, Robert Taylan on bass, Wibert Tan on lead guitar, Wowoo Ranada on percussion, Jazz Magday on drums, and yours truly (Mark A. Galang) on keyboards.

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Jose at Musika “Luma” Album Launch, March 5, 2016

Jose at Musika - Luma Cover

Jose at Musika, the band that I currently play in, will be launching its album entitled “Luma” on March 5, 2016. The launch will feature guest performances by the following bands:

Antimano
Dhruva Tara
Maryzark
Carlo Ordonez of Kastigo
Clubhouse
Soil & Green
Jana Garcia
Agos
Unmute
Coming Up Roses
Mooncake

The likelihood that I’ll be playing with another band (*ahem* Clubhouse *ahem* among others) is a possibility.

The launch will hosted by DJ Acey and will be held at Mang Rudy’s Tuna Grill and Papaitan, Yakal St., Makati City. There will be an entrance fee of Php 200 (includes one free drink), and a copy of the album costs Php 250 which will be sold at the gate.

Jose at Musika is Jose de los Reyes on acoustic guitar and vocals, Wilbert Tan on lead guitar, Robert Taylan on bass, Jazz Magday on drums, and yours truly on piano/keyboards.

An Unexpected Surprise: Fanboy Elation

Lunchtime around this period of my life consists of a single cup of homemade Greek yogurt mixed in with honey and some sugar-free strawberry preserves. As I was eating my lunch and reviewing my GuitarZoom transcription work, I get this friend request from Michael Shawn Turner. After accepting it, he suddenly tells via a private message something like, “Hey are you the guy who wrote this? ” And then I realized I was talking to one of my heroes: Battery’s Mike Turner!

I was very much surprised. I never would have thought one of my heroes would start to speak to me, let alone read my blog! Anyway, to cut the somewhat long story short, it was a very pleasant exchange. He even wished me well in my search for a new drummer. Afterwards, he explained the reason why Battery ceased to exist: he flew to Los Angeles. It was as simple as that!

I remember saying in my blog that I regret not purchasing any of Battery’s albums back in the day. Mike Turner revealed to me that all of Battery’s songs are available via his Reverbnation page: http://www.reverbnation.com/michaelshawnturner/songs. Now I know that I can enjoy Battery’s music via the web.

I cannot thank Mike Turner enough for being an inspiration and for giving me a fragment of his time.

Before I end this piece, I’d like to share with you folks Mike’s latest project called booRADLEY. They started an Indiegogo campaign, so please visit the page and offer your support. I’m very sure that it’s a decision worth taking into consideration:

https://www.indiegogo.com/projects/booradley-join-our-journey

A Jazz-Prog-Rock Fusion Band’s Early Beginnings

Since going for anything musical full time in a professional capacity, I decided to form my very own jazz-prog-rock band with two guys from graduate school, namely Diamond Manuel on trombone and Jeffrey Abanto on guitar, bassist RJ Sy (Karl Roy Band, Kastigo, etc.), and drumming virtuoso and chef KC Puerto. Together, we’re Hi-5! Nah, just kidding. We’re an unnamed jazz-prog-rock fusion band that is currently in its infancy. The video above is an excerpt from our two-hour first rehearsal session together where we had the audacity to take a crack at Alan Pasqua’s “Proto Cosmos” (popularized by the Tony Williams’ Lifetime band and Allan Holdsworth). I am quite pleased with our first session together as we were able to go through a somewhat tricky piece and survive it, hahaha! Other than this piece, we also had loads of fun with a free improvisation session. Hopefully, we’ll start working on original music as well as a couple of covers to spice things up.

The spark of it, all, however, was this free improv session with Diamond:

Play Blues Now: New Steve Stine Course @ GuitarZoom

Steve-Stine-Play-Blues-Now

A few days prior to Christmas 2013, I was working long hours to complete transcribing the sheet music for this course while juggling other important tasks such as our church’s Christmas concert rehearsals, finishing my composition for the said concert, working on other projects, being a parent and homeschool teacher, graduate school stuff, and others. It was a tough time, and though I’m able to relax for now I do have other things that I have to complete. Anyway, going back to the course, this is a beginner blues course for guitar by none other than in-demand modern guitar pedagogue, Steve Stine.

To cut things short, this is an excellent course (in my biased opinion) for anyone who wants to know the nitty-gritty on the Blues. It covers the essentials of the Blues from the rhythm up to improvisation and soloing, making it a very complete course that will enable you to do what it says: Play Blues Now!

If you want to purchase the DVD and book, please click on the image above. Sheet music transcription by none other but yours truly.

Testing Acoustic Guitars and Jamming at Lazer Music SM Bicutan

IMG_0490

The crazy staff at Lazer Music SM Bicutan: Allan (left) and Mark (right)

Because of the affordable high quality gear and friendly people, the Lazer Music store at SM Bicutan has become one of my favorite places. It’s this particular shop where I usually spend time looking at stuff, talking to the staff, testing a lot of stuff, and jamming with the staff and other customers while my son is sweating it out at a nearby Wushu class by White Tiger Wushu Zhan. It’s also the shop where I purchased one of my electric guitars (the red one with humbuckers). Last March, when I visited Lazer, I was (as usual) acting like a kid at a candy shop and looking at all those guitars with amazement and wonder. I then had fixed my eyes on this particular guitar:

IMG_0596

The nice, shiny all-solid wood Greg Bennett by Samick dreadnought between the classical guitar and the black dreadnought with cutaway. I want one of those!

I tried out this guitar in a variety of tunings and brought out my Zoom H4n recorder. Allan (the manager I believe) brought out another guitar and we started jamming on whatever came into our minds. Occasionally, Mark (a staff member) would sit on the drum kit and play some simple rhythms. If my memory is serving me accurately, I was playing the guitar in an open C tuning while Allan was playing standard. And so, ladies and gentlemen, here’s the kind of mess we had made out of those guitars (The guitar I’m playing is primarily at the left channel of these recordings):

For only around Php 7,000 (about 175 USD), it’s a rather cheap all-solid-wood guitar that sounds amazing. We admit we were making a mess out of that entire jam, but it was all just for fun. We had a blast thus the objective has been met. I was unable to buy the guitar though but what the hey. I’ll find another one like that should I get the budget for that.

How to Prepare a Project and Record Audio in a DAW

Hello dear readers. It’s Mark A. Galang again in another installment of audio production tutorials. This tutorial was written in compliance to the peer review assignment requirement of the Berklee Course “Introduction to Music Production” being hosted by Coursera. I do hope that you all find this tutorial to be informative.

This tutorial features the way how I prepare a project in my DAW for recording. It also gives some insight into how I compose and record music. I use Cakewalk Sonar X1 as my DAW software. Let’s get started.

1. Sequencing the Drums

01 Sequencing the Drums

Before I actually create a project in Sonar, I usually write drum parts, orchestral parts, etc. using Sibelius 6. In this case, I just wrote the drum part for this project.

2. Exporting to MIDI

02 Exporting to MIDI

After writing the drum part in Sibelius, I would then save my work and then export it as a MIDI file to the folder of my choosing.

3. Creating a New Project

03 Creating a New Project

After opening Sonar X1, I make use of an atypical method of creating a project. I close the project creation wizard and then just drag the MIDI file I created into Sonar. Sonar will automatically open the MIDI file as a project.

4. Creating an Instrument Track

04 Creating an Instrument Track

Once the MIDI file has opened, I would then create an instrument track that would play back the MIDI data in the project. In this case, I’m using a VST instrument called EZDrummer. An instrument track is a combination of a MIDI and Audio track. The data displayed is MIDI but the playback comes from an audio source, usually a software instrument.

5. Transferring MIDI data to Instrument Track

05 Transfering MIDI Track to Instrument Track

Instead of assigning EZDrummer as the output for my MIDI track, I just simply drag the MIDI data into the instrument track and then delete the resulting empty MIDI track. The instrument track can read MIDI data anyway so I have no further use for the empty MIDI track.

6. Creating an Audio Track

06 Creating an Audio Track

I would then create an audio track next by right clicking on the empty space where the channels are supposed to be in Track View and then selecting the “Insert Audio Track” command.

7. Labeling Audio Track and Setting Up for Recording

07 Labeling Audio Track and Setting Up Channel for Recording

After creating the audio track, I would then label the audio track. In this instance, I’m recording a bass guitar track so I simply label it “Bass”. Afterwards, I select the appropriate input source for my audio track. In this case, my bass is connected to the left instrument input of my audio interface and so I select the left one in my DAW. If I select it this way, I will be able to record my bass part in mono.

8. Saving as a Project File

08 Saving as a Project File

Because Sonar opened my project as a MIDI file, it cannot save audio data yet. I would then save the project as a “Normal” CWP (Cakewalk Project) file with the “Copy All Audio With Project” option ticked so that I can assign the project and audio data folders for easier file management.

9. Arming the Audio Track for Recording

09 Arming the Audio Track for Recording

Before I begin recording, I then click on the red button in my audio track so that it would be “armed” for recording. Once the audio track is armed, I check my instrument’s recording levels on my audio interface and on the DAW. I am now ready to record my bass parts.

10. Setting up Metronome/Click and Countoff

10 Setting up Metronome or Click and Countoff

Before I start recording, I check my metronome/click and then see if I have the correct settings. I prefer using an audio click rather than MIDI and I set up the record count in to just “1”. Since the time signature in my project is 7/8 with a tempo of 100 bpm (in quarter notes), I expect to hear seven fast clicks before the DAW starts recording my audio.

11. Recording an Audio Track

11 Recording Audio

Once the levels are set and the audio track is armed, I start recording by pressing “R” on my computer keyboard. I count along to the count-in clicks (one, two, three, four, five, six, sev) and then start playing my bass parts. Once I’m done recording, I press the space bar to stop.

12. Cloning an Audio Track for a Second Take

12 Cloning an Audio Track for Second Take

Because I need to have a couple of recorded options, I record a number of takes. To do this, I just clone the audio channel where my bass is recorded. To do this, I just right-click on my audio track and select the option “Clone Track”. Sonar will then duplicate the audio track in its entirety.

13. Setting up Cloned Audio Track for a Second Take

13 Setting Up Cloned Audio Track for Second Take

The cloned audio track contains all of the data from the previous audio track, including recorded audio. Therefore, I would delete the recorded audio from the cloned track in order to empty it so I can begin recording a second take. To lessen distractions, I would then mute the original audio track before I record my second take.

14. Recording a Second Take

14 Recording a Second Take

Once my cloned audio track is ready, I would then record a second take following the steps mentioned a while ago.

After completing all of these steps, I think the entire effort went well. I was able to set up a project and record an audio track. Upon reviewing the project, I think that I should have saved the project immediately as a normal DAW project before setting up the audio track so that I wouldn’t run into a problem later should the application crash. Some of the steps I took to create the DAW project are atypical. However, this fits my usual workflow which involves composing and notating music first before recording audio.

For those who are interested, here’s the track I recorded for this particular tutorial:

I hope that you all have enjoyed reading and learning about recording audio in a DAW through this post. Thank you for your time and I hope to hear from you. If you have any feedback, comments, or constructive criticism, please feel free to let me know as I would love to learn new things as well.